วันเสาร์ที่ 30 มิถุนายน พ.ศ. 2555

Madame Bovary

Madame Bovary Review





Madame Bovary Feature


  • Lovely Emma Bovary longs for romance, glamour, possessions. Wed to a country doctor, she instead gets routine, motherhood and penny-pinching. So when she catches the eye of a handsome aristocrat, Emma risks all to reach for what she thinks will be happiness.Jennifer Jones stars in this lush adaptation of the Gustave Flaubert novel that scandalized 19th-century France. The film's capstone is the st



Madame Bovary Overview


Jennifer Jones, Van Heflin, James Mason. Passionate rendering of Flaubert's masterpiece about a beautiful 19th-century woman whose unconcealed affairs upset conservative French society. 1949/b&w/114 min/PG-13/fullscreen.


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วันศุกร์ที่ 29 มิถุนายน พ.ศ. 2555

A Fine Romance

A Fine Romance Review






A Fine Romance Overview


Frothy romantic farce set in Paris follows a debonair man (Marcello Mastroianni) as he attempts to stop his wife's adulterous affair. After meeting her lover's spouse (Julie Andrews), he begins his own fling. Together, the couple learns just how magical infidelity can be as they rediscover romance in the City of Lights. With Jonathan Cecil, Ian Fitzgibbon. AKA: "Cin Cin," "A Touch of Adultery." 83 min. Standard; Soundtrack: English.


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วันพุธที่ 27 มิถุนายน พ.ศ. 2555

4 Film Favorites: Epic Romances

4 Film Favorites: Epic Romances Review





4 Film Favorites: Epic Romances Feature


  • 4 FILM FAVORITES: EPIC ROMANCES (DVD MOVIE)



4 Film Favorites: Epic Romances Overview


Oozing with tales of epic screen romance, this powerful 4-film set kisses and tells! Includes Dangerous Liaisons (Glenn Close, John Malkovich. 1988/119 min.), The Painted Veil (Naomi Watts, Edward Norton. 2006/125 min.), Silk (Sei Ashina, Michael Pitt. 2007/107 min.) and The Affair of the Necklace (Hilary Swank. Jonathan Pryce. 2001/118 min.). 2 DVDs. Color/NR/widescreen.


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วันจันทร์ที่ 25 มิถุนายน พ.ศ. 2555

วันอาทิตย์ที่ 24 มิถุนายน พ.ศ. 2555

Romance: Four Film Favorites (The Goodbye Girl / Her Alibi / Best Friends / Forget Paris)

Romance: Four Film Favorites (The Goodbye Girl / Her Alibi / Best Friends / Forget Paris) Review






Romance: Four Film Favorites (The Goodbye Girl / Her Alibi / Best Friends / Forget Paris) Overview


Her Alibi Forget Paris The Goodbye Girl Best Friends


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วันอังคารที่ 19 มิถุนายน พ.ศ. 2555

วันจันทร์ที่ 18 มิถุนายน พ.ศ. 2555

Romance on the High Seas [VHS]

Romance on the High Seas [VHS] Review






Romance on the High Seas [VHS] Overview


For a crystal-clear lesson in how an unknown vaults into immediate stardom, look no further than Romance on the High Seas, the silly 1948 musical that launched the movie career of Doris Day. A band singer, Day was plucked from the ranks when Warner Bros. and director Michael Curtiz needed to find a replacement for a role intended first for Judy Garland and then for Betty Hutton. She's fourth-billed, but there's no question Doris Day owns the picture; in retrospect, the part seems tailor-made to break a new star. The plot is a howler: society wife Janis Paige is suspicious when husband Don DeFore (hubby to TV's Hazel) claims he must stay in New York on business instead of going on a cruise to South America. So Paige gives the cruise ticket to lounge singer Doris, on the condition that she pretend to be Paige, while wifey hangs back in New York. Make sense? Meanwhile, a suspicious DeFore hires a detective (Jack Carson) to spy on his wife during the cruise, except of course it isn't really his wife, it's... well, you get the picture. Day is somewhat sassier than her later well-scrubbed image would allow; she actually seems like an up-from-the-streets, well-traveled barnstormer. The saucy script has a handsome pedigree; it was penned by Casablanca boys Julius and Philip Epstein and polished by future Billy Wilder partner I.A.L. Diamond. However, it must be stated that Curtiz is nobody's idea of a buoyant comedy director, even if the lounge-singing sequences are sharply made. The cast is stocked with screwball stalwarts such as S.Z. Sakall, Eric Blore, and Franklin Pangborn. As Day's accompanist and suitor, the celebrated musican-wit Oscar Levant has one of his better screen roles--and his experience here was likely the source of his later quip, "I knew Doris Day before she was a virgin." If you see her cheeky performance here, you might agree with him. --Robert Horton


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วันศุกร์ที่ 15 มิถุนายน พ.ศ. 2555

วันพฤหัสบดีที่ 14 มิถุนายน พ.ศ. 2555

Emma: A Victorian Romance - Season 2

Emma: A Victorian Romance - Season 2 Review






Emma: A Victorian Romance - Season 2 Overview


In the faraway village of Haworth, a new chapter in Emma's life has begun. Now employed by the wealthy Mölders family, Emma has resolved to put the past behind her. She'll have to adjust to a new house, a charming (but eccentric) new mistress, and a host of fellow servants, some with buried pasts of their own. Meanwhile, back in London, William is doing his best to uphold his father's wishes as the Jones family heir, but try as he might, he can't forget Emma. Yet, whenever he feels at his worst, Eleanor is always there to comfort him with a warm, shy smile. Could the answer to his broken heart be right before his eyes? This anime adaptation of Kaoru Mori's manga features direction by Tsuneo Kobayashi (The Twelve Kingdoms, Glass Mask OAV, Super GALS!) and scripting by Mamiko Ikeda (Sgt. Frog, Fruits Basket, Princess Tutu). The original manga was honored with an Excellence Prize at the 2005 Japan Media Arts Festival and is available to North American readers via DC Comics' CMX Manga imprint. Contains the complete 12-episode second season (a.k.a. "Second Act"), plus "Episode 0: Intermission," a recap/preview released prior to the start of the Season 2 telecast in Japan. DVD Features: Scene access, Dolby Digital 2.0 Stereo audio for Japanese dialogue, English subtitles and English on-screen translations. PLUS: A 48-page "Victorian Gazette" that features artwork and illustrations from the series, plus an interview with EMMA's creator, Kaoru Mori.


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วันเสาร์ที่ 9 มิถุนายน พ.ศ. 2555

A Little Romance

A Little Romance Review






A Little Romance Overview


An American teenager living in Paris meets and falls in love with a French teenager. Encouraged by an old con man, the two decide to elope.


A Little Romance Specifications


Sandwiched between Slap Shot and The World According to Garp, George Roy Hill made this effervescent film about first love. A sharp American girl (Diane Lane, in her debut) and a film-loving Parisian boy (Thelonious Bernard, in his only film) fall innocently in love. When the girl's zealous mother (Sally Kellerman) goes ballistic, the young couple fall under the spell of a curious gentleman (none other than Laurence Olivier), who plants the seed to make their love last forever: to kiss under a Venetian bridge at sunset. As the love story becomes an adventure with the young lovers crossing France and Italy, Allan Burns's Oscar-nominated script and Hill's deft touch turn this into a romance for the ages and a movie to smile about. George Delerue's Oscar-winning score and the picturesque European scenery don't hurt either. Ages 7 and older. --Doug Thomas

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วันพฤหัสบดีที่ 7 มิถุนายน พ.ศ. 2555

Modern Romance

Modern Romance Review






Modern Romance Overview


Albert Brooks, Kathryn Harrold, Bruno Kirby. A man, convinced the perfect" woman is out there somewhere, gives up the woman he loves, only to find that she was right under his nose. 1981/color/93 min/R/widescreen.


Modern Romance Specifications


It's just your typical boy-dumps-girl, boy-has-change-of-heart, boy-alienates-girl-anew love story. This romantic comedy, the last word on obsessive, can't-live-with-'em, can't-live-without-'em relationships, holds a special place in the hearts of Albert Brooks fans. Brooks stars as film editor Robert Cole, who breaks up--again, apparently--with Mary (Kathryn Harrold). They are in a no-win situation, he tells her, like Vietnam. The sequence that follows is an excruciating, intimately observed tour de force: Robert's long night's journey into day. Miserable, spaced out on Quaaludes, he stumbles around his apartment, admiring his record collection ("I love my albums"), rifling through his Rolodex, making a blind date call he will instantly regret. He becomes determined to win Mary back, but again falls prey to his possessiveness and paranoia, as when he happens to find Mary's phone bill and becomes obsessed over a long-distance number.

Modern Romance is characteristically deadpan in its depiction of one man behaving badly. The dialogue is vintage Brooks, as when he tells a colleague (Bruno Kirby) that he and Mary always enjoyed great sex but could never really talk. "Do you need to talk?" his friend asks, which would be the topper in anyone else's comedy. But Brooks dismisses this cheap joke with, "We're men. Can we have a bond?" A hilarious subplot concerns Robert's work on a cheesy science fiction film that stars George Kennedy. James L. Brooks (no relation), who would direct Brooks to an Oscar nomination in Broadcast News, is hysterical as the deluded director who resists Robert's best, painstaking efforts to improve the film.

For some, Modern Romance is a comedy, for others, a horror film (Robert is as relentless as Michael Myers and as much a nightmare as Freddy). See it and squirm with someone you love. --Donald Liebenson

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